Despite its global appeal, the Japanese animation industry has already established to cope with many issues on the years. It is a crowded market, and even in Japan it has been experiencing aging populations and declining birthrates. In response, the anime industry has looked to outsourcing in an effort to remain competitive and keep costs down.
Anime is not really a cheap medium to make; it takes a bundle to create an animated film, and in Japan the typical budget for an anime movie is between 3-5 million USD. That is due in large part to the fact animators aren’t paid very well in Japan, so it’s hard in order for them to create a living. りいぜろ
Overseas sales of anime include licensing for video software, internet distribution, TV broadcasting, rights to show the film and licensing for character merchandising. These markets are still growing in size, but are not thriving while they used to.
The overseas market happens to be dominated by China, which has overtaken Japan as the biggest market for animation films and tv shows in 2019. That is mainly because of the rising popularity of streaming services, such as for instance Netflix and Amazon Prime Video, which may have expanded their content offerings to add anime.
As a result, overseas production capacity are at an all-time high. This is a good thing for anime, but additionally, it may create some problems in the market if there aren’t enough people taking care of projects.
Among the main issues that has been due to outsourcing may be the deterioration in quality of the work produced. That is often as a result of undeniable fact that the subcontracted studios aren’t as knowledgeable about the project whilst the in-house team, and don’t have the same use of storyboards or production drawings. That is not only a concern when dealing with large-scale series, but it is also particularly pronounced when dealing with smaller scale works like short films and OVAs, where in actuality the rate of production per frame is a lot greater than in more traditional kinds of animation.
This could cause the development of bad or unprofessional visuals, and sometimes too little consistency in a string’style. That is something that is a real concern for fans who would like to see more consistent output from an anime series, and it is a common issue among support studios too.
Fortunately, some anime series are releasing their episodes in more streamlined formats, or have been released with higher quality versions of the material. This is the case with Masaaki Yuasa’s latest anime, Japan Sinks: 2020. The series, predicated on a technology fiction novel, is placed in modern Tokyo, and comes with a regular cast of Yuasa’s regular collaborators, including composer Kensuke Ushio.
This can be a very positive development for the industry, and I am hoping that more companies follow suit in future. It is also worth mentioning that some studios have started to battle more responsibility themselves, such as for instance Trigger. This can be a studio which was formed by staff from Gainax once they left the company, and they quickly became a winner with fandom using their low-budget animated net animation “Inferno Cop&rdquo ;.The studio in addition has released an anime series and a short film on Netflix in recent years.